DCRP
Review: Nikon Coolpix 4500
by Jeff
Keller, DCRP Founder/Editor
Originally posted: Sunday, August 25, 2002
Last Updated:
Tuesday, October 15, 2002
Printer
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The
Coolpix 4500 is the latest in an almost legendary line of Nikon
digital cameras. It uses the same swiveling lens design that has
been with us since the days of the Coolpix 900. Through the years,
the innards of the Coolpix have changed, but not the design. When
the Coolpix 5000 arrived last year, Nikon fans wondered if the swivel
design was done for. But when the 4500 was announced this summer,
a sigh of relief was heard.
The
CP4500 has all of the latest bells and whistles: a 4 Megapixel CCD,
a 4X optical zoom lens, and tons of manual controls.
Is
the 4500 as good as its predecessors? Find out in our review.
What's
in the Box?
The
Coolpix 4500 has a very good bundle, with one exception. Inside
the box, you'll find:
- The
4.0 (effective) Mpixel Nikon Coolpix 4500 camera
- 16MB
CompactFlash card
- EN-EL1
rechargeable Li-ion battery
- Battery
charger
- Neck
strap
- USB
cable
- A/V
cable
- Lens
cap w/strap
- CD-ROM
featuring NikonView 5 and other software
- 167
page manual (printed)
I
will get the negatives out of the way first. Actually, there's only
one: the memory card. With the CP4500, you only get a 16MB card.
The card is one of those unmarked Lexar "starter cards"
which only mentions the size in small print on the back of the card.
A 16MB is way too small for a camera with this kind of resolution,
so go out and buy something much larger right away. (Apparently
models bought outside the U.S. include a larger card.)
The
now familiar EN-EL1 rechargeable battery (5.0 Wh), also found on
the CP5000 and CP5700, is used here. Nikon estimates that the battery
will last for about 100 minutes in "average use". If you
use an IBM Microdrive, expect higher power consumption.
I'm
a bit critic of most proprietary batteries for two reasons: 1) they're
expensive and 2) if you're in a bind you can't just buy another
at Walgreens. The Coolpix 4500 is somewhat of an exception, since
you can also use a non-rechargeable 2CR5 battery if you are desperate.

Charger
and battery
Nikon
includes an external charger for the EN-EL1. They also give you
a lens cap and strap to protect the lens.

The Coolpix 4500 is a mid-sized camera
Just
like on other Coolpix models, there are tons of optional accessories
available. That includes lenses, flashes, and hoods. You can get
wide-angle, fisheye, and telephoto lenses. A wired remote control
is available too. Oh, and there is also a slide copier available.
The
CP4500 includes version 5.1 of NikonView, which is one way to transfer
photos. The software is Mac OS X native but is still sluggish and
buggy. The CP4500 is fully compatible with Mac OS X and Windows
XP.
The
Coolpix's manual is somewhat confusing, but everything you need
is inside, if you can find it. It's also nice to see that Nikon
is including printed manuals again, instead of making you view a
PDF version.
Look
and Feel
The
unique body of the Coolpix 4500 is almost totally made of metal.
It's very solid and can take quite a beating. The camera is very
easy to hold, and it can be used with one hand or two.
The
lens can be rotated 180 degrees in one direction, and 90 degrees
in the other. You can lock it in place if you don't want to rotate
it. The rotating lens is very useful for situations where you need
to shoot over people's heads (just to name one example).
The
official dimensions of the CP4500 are 5.1 x 2.9 x 2.0 inches (W
x H x D), and it weighs 360 grams (12.8 ounces) empty. The camera
isn't large, but I wouldn't call it pocket-sized either. It's slightly
smaller than previous Coolpix models.
Let's
tour the CP4500 now.

The
Coolpix 4500 has an F2.6-F5.1, 4X optical zoom lens. The lens has
a focal range of 7.85 - 32 mm, which is equivalent to 38 - 155 mm.
The lens mount is threaded for 28mm attachments, and all Coolpix
lens accessories are supported.
Directly
above the lens is the pop-up flash, which opens automatically. The
flash has a working range of 0.5 - 1.6 m (wide-angle) and 0.5 -
3.0 m (telephoto). The 4500's flash doesn't cover nearly as much
of an area as the CP5700's flash. If you need more flash power,
you can add an external one.
Above
where the Nikon label is, under a plastic cover, is the DC in port,
for the optional AC adapter.
The
Coolpix 4500 continues Nikon's tradition of omitting an autofocus-assist
lamp.
If
you buy a CP4500 in countries other than the U.S., the grip may
be red instead of blue.

Here
now is the back of the camera, with the lens in what I'd call the
"off position". We'll take a look at the optical viewfinder
in a minute.
One
thing that really bothers me about the LCD (on this and the CP5700)
is that it's way too small! Looking at the CP4500 side-by-side with
my old CP950 really illustrates this. The 4500 has a 1.5" LCD
normally found on one of those "micro cameras". The image
on the LCD is bright and fluid, though it has a very narrow viewing
angle.

Quick Review
Just
above the LCD are buttons for turning the LCD on and off, Quick
Review / Playback mode, and zoom. Quick Review shows the last image
taken in a little window on the LCD, and you can move through the
various images by using the four-way switch. Pressing the button
again enters pull playback mode. The zoom controls move the lens
slowly, but smoothly. It takes a rather sluggish 5 seconds to go
from wide-angle to telephoto.
Below
the LCD, you'll find buttons for :
- Focus
Mode {record} / Delete photo {playback}
- Menu
- Four-way
switch
The
focus mode button toggles through infinite focus, macro focus, and
self-timer (plus combinations of the last two). If you hold down
the button and turn the command dial (which you'll see in a minute),
you can manually focus the camera.

Manual
focus mode
Unfortunately
there's only a "bar graph" showing the relative focal
distance. No exact numbers here. The self-timer defaults to 10 seconds,
but it will do 3 seconds if you double-press the shutter release
button.
The
four-way switch is used for menu navigation, and AE/AF lock, if
you press it inward.
Over
on the left side of the photo above, you can see the flash button,
which doubles as the ISO selector when it's held down. The flash
modes are auto, off, auto w/redeye, forced, slow sync. The ISO choices
are Auto, 100, 200, 400, and 800.
Below-left
of that button is the flash sync port. You'll need the SK-E900 flash
bracket in order to use an external flash. Nikon encourages you
to use only their Speedlights -- the 80DX, 30, 28DX, 28, 26, 25,
24, 22, and 22s are listed as compatible. Power zoom and AF-assist
features on the external flash are not supported.

Here
is the top of the camera, with the lens still in the "off"
position. You can see the optical viewfinder over on the left. It
covers 80% of the frame, and has diopter correction for those without
perfect vision.
On
the other side, you'll find a number of items:
- Shutter
release button
- Power
switch
- Mode
button
- Function
/ exposure compensation button
- Command
dial
The
mode button switches between:
- Fully
automatic mode - camera does everything and locks most menu items
away
- Program
Mode - camera picks best exposure settings. There is also a flexible
program mode which lets you pick from a few other program settings
(±2).
- Shutter
Priority Mode - you choose shutter speed, camera picks appropriate
aperture. Shutter speed range is 8 sec - 1/2000 sec.
- Aperture
Priority Mode - you choose aperture, camera picks shutter speed.
Aperture range of F2.6 - F10.3 in 1/3 step increments. In bright
light, you may be able to get the shutter speed up to 1/2300 sec.
- Manual
Mode - you choose aperture and shutter speed. This enables bulb
mode, which will keep the shutter open for as long as the shutter
release button is pressed, for up to 5 minutes (!). This pretty
much requires a remote shutter release cable and a tripod.
- Scene
Mode - choose one of 16 scenes and the camera chooses the appropriate
settings. The scenes include:
- Portrait
- Party/indoor
- Night
portrait
- Beach/snow
- Landscape
- Sunset
- Night
landscape
- Museum
- Fireworks
show
(yay!)
- Close-up
- Copy
- for copying text or drawings
- Back
Light
- Multiple
exposure - two successive images combined into one
- Panorama
assist
- Sports
- Dusk/dawn
By
default, the Func(tion) button adjusts exposure compensation (-2EV
to +2EV in 1/3EV increments). You can redefine what this button
does by using the setup menu. It can be used to change continuous
shooting, quality, white balance, or metering settings.
Below
those buttons is the command dial, which is used for changing manual
settings.
The
last item of note on the top of the camera is the microphone.

Not
much to see here -- just the lens pointed forward.

On
the other side of the camera you'll find the CompactFlash slot.
This is a Type II slot, and the IBM Microdrive is compatible. The
plastic door feels very flimsy and I fear it could bust off if you're
careless.
Above
the slot, under a rubber cover, are the I/O ports. The only two
ports here are USB and A/V out.

Lastly,
here is the bottom of the camera, where you'll find the metal tripod
mount, rotating lens lock, and the battery compartment. The battery
door is much more sturdy than the CF slot door, in my opinion. The
rotating lens lock will limit forward rotation to 90 degrees. One
little tip: if you want to rotate the lens, do it before you put
it on a tripod.
You
can see the EN-EL1 battery, as well.
Using
the Nikon Coolpix 4500
Record
Mode
Turn
on the CP4500 and it's ready to start taking pictures in four seconds.
If you set the camera to put the lens at the last position used,
or if you're using a Microdrive, startup times will be a bit slower.
When
you depress the shutter release button halfway, the camera locks
focus in one second. Press the button fully and the picture is taken
after a short, but noticeable lag.

Shot-to-shot
speed is impressive -- you will wait just over two seconds before
you can take another shot. The exception to this is when you're
taking a photo at the "HI" (TIFF) setting. A TIFF photo
will lock up the camera for 25 seconds. There is no "RAW"
mode on the CP4500.
Speaking
of image quality settings, here's a chart of the various image size
and quality choices available on the Coolpix:
| |
#
of images on included 16MB card |
| Image
Size |
HI
quality |
Fine
quality |
Normal
quality |
Basic
quality |
|
2272 x 1704 |
1 |
8 |
16 |
32 |
2272 x 1520
(3:2 ratio) |
1 |
9 |
17 |
34 |
|
1600 x 1200 |
N/A |
16 |
31 |
59 |
|
1280 x 960 |
N/A |
24 |
47 |
86 |
|
1024 x 768 |
N/A |
37 |
69 |
121 |
|
640 x 480 |
N/A |
86 |
144 |
229 |
TIFFs
can only be recorded at the 2272 x 1704 or 2272 x 1520 sizes.
If
you want to find out how many photos a larger memory card will hold,
just multiply the numbers above. For example, a 1gb Microdrive will
hold 64 times as many photos, so just multiply the numbers in the
table by 64. Sounds easy enough, but lots of people do ask me this
question, so I thought it was worth mentioning.

Now
let's talk Coolpix menus. The CP4500 uses a new menu system (in
appearance, at least) that can be intimidating. Items can be buried
deep inside and can be hard to find You can have up to three separate
sets of settings. Here's what you'll find in the CP4500 menus:
- White
balance (Auto, preset, daylight, incandescent, fluorescent, cloudy,
speedlight) - more info below
- Metering
(Matrix, spot, center-weighted, spot AF area) - in spot AF area
metering, the camera samples the light only in the current focus
area
- Continuous
Menu
- Single
shot
- Continuous
- 1.5 frames/sec; I was able to take 10 in a row at the normal
quality setting
- Multi-shot
16 - puts 16 consecutive shots into one full size image -
like a collage
- Ultra
HS - 30 frames/sec, 320 x 240, images saved in separate folder
on the CF card
- Movie
- more later on this
- Best
Shot Selector (on/off) - takes up to 10 consecutive shots, then
chooses the sharpest image
- Image
Adjustment (Auto, normal, more contrast, less contrast)
- Saturation
Control (Maximum, normal, moderate, minimum, black & white)
- why B&W is here, I have no idea
- Image
Quality (Hi, fine, normal, basic)
- Image
Size (2272 x 1704, 1600 x 1200, 1280 x 960, 1024 x 768, 640 x
480, 2272 x 1520)
- User
Setting (1, 2, 3) - store up to three combinations of settings
for easy retrieval
- Image
Sharpening (Auto, high, normal, low, off)
- Lens
(Normal, wide adapter, telephoto 1, telephoto 2, fisheye 1, fisheye
2, slide copy adapter) - use this if you bought a conversion lens
- Exposure
Options
- AE
Lock (on/off/reset) - turning this on will lock the exposure
settings after the first shot
- Exposure
compensation (-2.0EV to +2.0EV in 1/3EV increments)
- Focus
Options
- AF
Area Mode (Auto, manual, off) - in manual mode, you can use
the four-way switch to pick the area to focus on
- Auto-Focus
Mode (Continuous AF, Single AF) - how the camera focuses (always
or when the button is pressed halfway)
- Focus
Confirmation (MF, on, off) - shows what areas in the image
are in focus on the LCD
- Zoom
Options
- Digital
Tele (on/off) - turn digital zoom on or off
- Startup
Position (Last position, wide) - where the lens goes when
you turn on the camera
- Fixed
aperture (on/off) - when on, aperture is fixed, even when
you zoom in or out. Only works in A and M modes.
- Speedlight
Options
- Pop-up
(Auto, manual) - whether or not flash pops up automatically
- Variable
Power (-2.0EV to +2.0EV in 1/3EV increments)
- Speedlight
Control (Internal off, Internal & External active) - for
using an external flash
- Auto
Bracketing
- Exposure
Bracketing - 3 or 5 shots in a row with varying EV values
- WB
Bracketing - 3 shots with varying white balance. One normal
image, one "bluish" image, one "reddish"
image
- Noise
Reduction (on/off) - Noise reduction will reduce the appearance
of noise or grain in your images. It is only used at shutter speeds
slower than 1/30 sec. Note that a tripod or a very steady hand
is recommended for this feature.
A
quick note about white balance: the preset mode allows you to shoot
a white or gray card/paper to get the perfect WB setting. On all
of the WB modes except Auto and Preset, you can fine tune the setting
±3 by using the command dial. You can also use the WB bracketing
feature that I mentioned before. In other words, it's hard to have
bad white balance on this camera.
In
addition to the main menu, there is also a setup menu with even
more options. The interesting ones include:
- Monitor
options
- Display
Mode (Monitor on, review only, preview only, monitor off)
- options for the LCD
- Brightness
- Controls
- Func
button (Exposure compensation, continuous, quality, white
balance, metering) - customize what this button does
- AE/AF
lock button (AE-L and AF-L, AE-L, AF-L) - define what happens
when you press the four-way switch inward
- File
numbering (on, off, reset)
- Shot
Confirmation (on/off) - self timer will light after a picture
is taken if this is turned on
- info.txt
(on/off) - saves a text file with exposure information along with
your photos
- Video
mode (NTSC, PAL)
- USB
(PTP, Mass Storage)
I
don't know about you, but I'm tired of menus. Let's talk photos
now. For this review, I took two night shot photos and two macro
photos.

My
night test shot looks pretty good at the size you see above, but
when you blow it up, it's actually pretty soft. The noise levels
are very low, thanks to Nikon's noise reduction system.

Here's
our usual 3" tall figurine, looking great. The color is excellent,
and even the nose is in focus. You can get as close to your subject
as 2 cm in macro mode! The camera is at its best when the zoom is
right in the middle between wide-angle and telephoto. You'll know
you're there when the little flower symbol on the LCD changes from
white to yellow.

And
here is our second macro shot. You can see incredible amounts of
detail on the dollar bill, like the multi-colored threads embedded
in the paper. Nikon's macro mode is one of the best out there.

Here's
our redeye test. Getting that flash up and away from the lens wa
s a good move, as there's really no redeye to speak of. You can
see the reflection of the flash but there's no demonic red glow
like on some of the older Coolpix 900-series cameras. Note that
I blew this image up a bit so you could see the details.
The
CP4500 produces some impressive photos. Occasionally, it would blow
out the highlights (see the gallery for examples), and there is
some barrel distortion at wide-angle, but overall I'm happy with
what this camera can do. Chromatic aberrations (purple fringing)
was not a problem, and noise levels were also quite low. Take a
look at the photo gallery and decide
for yourself about the photo quality.
Movie
Mode
The
Coolpix 4500 has an average movie mode. You can record movies up
to 35 seconds long, at 320 x 240 (15 frames/sec). Sound is recorded.
Movies
are saved in QuickTime format.
You
cannot use the optical zoom during filming -- only the digital zoom.
Here's
a quick sample movie for you. I panned around faster than I would've
liked, so you'll have to forgive me for that.

Click
to play movie (3.6MB, QuickTime format)
Can't view it? Download QuickTime.
Playback
Mode
The
Coolpix 4500 actually has a nicer playback mode than its more expensive
cousin, the CP5700. Separate development teams, I guess.

Anyhow,
the basic features that we all know are here: slide shows, DPOF
print marking, image protection, thumbnail mode, and zoom and scroll.
Zoom
and scroll lets you zoom in up to 6X into your photo (in 0.2X increments),
and then move around in the zoomed-in area. This is useful for checking
the focus.
Here's
a new one: the CP4500 has a feature called Perspective Control which
allows you to change the vertical perspective. The example Nikon
gives is to make a shot of a building taken looking up at it appear
more square (like it was taken at eye level). You adjust the image
using the four-way switch (up/down only), and when you're happy
with it, you wait 40 seconds for the new image to be written to
the CF card. Here's an example:

Before |

After |
Another CP4500
feature lets you resize your image to a much smaller size. Choose
from 640 x 480, 320 x 240, 160 x 120, and 96 x 72.
One
nice feature is the ability to delete a selection of photos, instead
of just one or all of them. You can also mark images to be automatically
transferred when the camera is hooked into the computer.
If
you want more details about your photo, the CP4500 comes to the
rescue. You can get four pages of additional information, including
a histogram.

The
CP4500 moves through images quickly. A low resolution image is shown
instantly, followed by the high res version less than 2 seconds
later.
You
can add 20 second voice annotations to your images, as well.
How
Does it Compare?
After
producing some just so-so digital cameras (Coolpix 2500 and 5000),
Nikon has once again returned to making top notch cameras with the
Coolpix 4500 (not to mention the 5700). The CP4500 produces excellent
photos, has a full suite of manual controls, uses a nice 4X Nikkor
zoom lens, and has the body style that made the Coolpix famous.
And lets not forget the amazing macro ability, either. On the downside,
the camera is a bit slow in the focus and shutter lag department,
images sometimes have the highlights blown out, and the LCD is too
small for my taste. Even with the negatives, the CP4500 is one of
the best 4 Megapixel cameras out there.
What
I liked:
- Swiveling, 4X optical zoom lens
- Tons
of manual controls
- Very
good photo quality
- Stunning
macro ability
- Support
for many add-on lenses + external flash
- CompactFlash
Type II slot - Microdrive works fine
- Nice
playback mode
What
I didn't care for:
- AF and shutter lag higher than it should be
- Sometimes blows out highlights in photos
- LCD
is too small; limited viewing angle
- No
AF illuminator
- Included
16MB memory card way too small
- Movie
mode could be better
- Flimsy
plastic door on CF slot
Some
other full-featured 4 Megapixel cameras worth looking at include
the Canon PowerShot G2
and S40,
Casio
QV-4000, Minolta
DiMAGE S404, Olympus C-4040Z
and E-10,
and the Sony
DSC-S85. I'd take a look at the (3.3 Megapixel SuperCCD-based)
Fuji
FinePix S602 Zoom as well.
As
always, I recommend a trip down to your local reseller to try out
the Coolpix 4500 and it's competitors before you buy!
Photo
Gallery
So
how does the photo quality stand up? Check out the samples in
our photo gallery!
Want
a few more opinions?
Required
reading: Steve's
Digicams, Imaging
Resource, and DP
Review Coolpix 4500 reviews.
Feedback
Jeff
welcomes your comments or questions. Send them to jakeller@pair.com.
Due to my limited resources, please do not send me requests
for personal camera recommendations.
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