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Thread: Abstracts

  1. #611
    Join Date
    Mar 2005
    Posts
    216
    well done, that's brilliant very ingenious. you certainly went to a lot of trouble but the end result is so worth it, a fantastic shot.
    Nikon D70s, Nikkor 18-70 ED, Nikkor 70-300D ED, nikkor 50mm AF D f1.4, Sigma 105 DG macro f2.8, Sigma 12-24 DG HSM.
    manfrotto 055 pro, 322rc2 head
    Ricoh R40 caplio.
    MacBook Pro 2.16 core 2 duo

    www.ACDigital.org

  2. #612
    Join Date
    Dec 2006
    Posts
    6

    Painting with Light

    I recently just got my first digital camera and have been experimenting. I've been taking b&w photos for over two years with a 35mm camera but I've always wanted to play with the painting with light technique so I finally did. Let me know what you think good or bad.
    Attached Images Attached Images      

  3. #613
    Join Date
    Jan 2006
    Location
    Windy Wyoming, USA
    Posts
    2,605
    Ronin, that first shot is amazing! To my (illiterate) eyes it looks like an Asian calligraphy letter. Although I might PP out that ghosty face (unless ghosty is the effect you're going for.) Good job!
    Nikon D50, Nikkor 18-55mm, Nikkor 50mm 1.8, Sigma 70-300mm APO DG Macro, Tokina 12-24
    Flickr

  4. #614
    Join Date
    Dec 2006
    Posts
    6

    Pic without a face

    Thanks toria, I took out the face, what do you think?
    Attached Images Attached Images  

  5. #615
    Join Date
    Jan 2006
    Posts
    16

    Light Painting

    Great job, well done.
    Of the two versions of first one I prefer the one with face in, it adds a mysterious feel to image, but also, once you finally distinguish it adds a point of reference to understanding the image.
    The images are reminiscent of Salvador Dali's work.
    Nikon D70s,
    Tamron 18 - 200 mm zoom,
    Nikon sb-800 speedlight

  6. #616
    Join Date
    Jan 2006
    Location
    Windy Wyoming, USA
    Posts
    2,605
    Yes, it looks beautiful. Good job.
    Nikon D50, Nikkor 18-55mm, Nikkor 50mm 1.8, Sigma 70-300mm APO DG Macro, Tokina 12-24
    Flickr

  7. #617
    Join Date
    Apr 2006
    Posts
    19
    Nikon D50, Ancient Hollywood Headliner Tripod from about 50-60 years ago
    http://bvscienceguy.googlepages.com/

  8. #618
    Join Date
    Nov 2006
    Location
    Canada
    Posts
    5

    huh?

    Samsung GX-1L, Schneider 18-55mm
    Can you guess what this is?
    Attached Images Attached Images  
    Usernamer
    Samsung GX-1L
    Schneider 18-55mm, Tamron AF 70-300mm Di Macro, Pentax 2.8 40-80mm, Takumar 2.5 135mm, Pentax 2.0 50mm, Pentax 2.8 28mm

  9. #619
    Join Date
    Dec 2006
    Location
    So Calif
    Posts
    3,226
    Some of the 404 (yep, four hundred and four) Dire wolf skulls on display at the La Brea Tar Pits/Page Museum. Sorry about the reflection :-(
    1/180, f5.6, ISO 800, Sigma 18-50 at 31mm.
    Name:  070106-2659TarPitsSkulls.jpg
Views: 206
Size:  138.7 KB

    At Grauman's Chinese Theater.
    1/180, f5.6, ISO 200, Sigma 18-50 @ 50mm.
    Name:  070106-2641GraumansPrints.jpg
Views: 292
Size:  136.8 KB

    Me and my shadow.
    1/60, f13, ISO 200, Pentax 50-200 @ 50mm
    Name:  070103-2554MyShadow.jpg
Views: 260
Size:  186.8 KB
    Last edited by SpecialK; 01-07-2007 at 06:23 PM.
    Pentax K20D/K5/15/21/40/70/10-17/12-24, Sigma 17-70 2.8-4.5/150-500, Tamron 90 Macro/70-200 2.8, Canon SX20 IS/Elph 500HS
    (formerly Pentax 50 1.4/50-200/55-300/K100D, Sigma 18-50 2.8/70-300 APO, Tamron 28-75, Viv 800, Tele-Tokina 800, Canon S3 IS, Samsung L210)
    http://s133.photobucket.com/albums/q78/KylePix/

  10. #620
    Join Date
    Oct 2005
    Location
    Kharkiv, Ukraine
    Posts
    1,201
    Stubs in hats
    Kharkiv, Ukraine. Fuji FinePix S9500. Jan, 7, 2007
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    The main lining in a computer - between the monitor and a chair
    My photo gallery in Flickr

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