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  1. #11
    Join Date
    Nov 2004
    Location
    Wild, Wonderful, Wyoming
    Posts
    1,043
    I still lurk around here, but rarely participate. I've kind of grown away from photography after having my tripod stolen from Yellowstone. I don't know why that was a turning point for me, but it was. I traded around some equipment, and still take photos, but it's slowed down considerably.
    A good photograph is knowing where to stand.
    Ansel Adams

    Rule books are paper, they will not cushion a sudden meeting of stone and metal.
    Ernest K. Gann-Fate is the Hunter.

  2. #12
    Join Date
    Aug 2007
    Location
    Brisbane, CA
    Posts
    3,526
    Quote Originally Posted by TenD View Post
    I still lurk around here, but rarely participate. I've kind of grown away from photography after having my tripod stolen from Yellowstone. I don't know why that was a turning point for me, but it was. I traded around some equipment, and still take photos, but it's slowed down considerably.
    Did the tripod get stolen out of your car?
    Lukas

    Camera: Anonymous
    I could tell you but I wouldn't want you to get all pissy if it's the wrong brand

    Flickr
    500px
    My Website

  3. #13
    Join Date
    Nov 2004
    Location
    Wild, Wonderful, Wyoming
    Posts
    1,043
    it was my own fault, I forgot it outside my car. But I fully expected someone to turn in a $1500 tripod setup...no one did. I hope they're happy with their new set up. For me it threw me into a funk that I've still to recover from. It just really bothers me someone would take something that was not theirs and just keep it.
    A good photograph is knowing where to stand.
    Ansel Adams

    Rule books are paper, they will not cushion a sudden meeting of stone and metal.
    Ernest K. Gann-Fate is the Hunter.

  4. #14
    Join Date
    May 2005
    Location
    Crapville, Australia
    Posts
    5,148
    I'd stick with the 17-35/2.8. The 14/2.8 really needs a FF to shine IMO. On a 1D is doesn;t have the same drama. The first version is a bit soft by todays standards and is easily prone to flare which made it difficult for the work I used it for (interiors under artificial light).
    Christian Wright; Dip Phot
    EOS 5D Mark III | EOS 600D | EOS-1V HS
    L: 14/2.8 II | 24/1.4 II | 35/1.4 | 50/1.2 | 85/1.2 II | 135/2 | 180/3.5 Macro | 200/2.8 II | 400/2.8 IS | 16-35/2.8 II | 24-105/4 IS | 70-200/2.8 IS II | 100-400/4.5-5.6 IS
    580EX II | EF 12 II | EF 25 II

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