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11-16-2010, 09:41 AM
#331
Good luck on the shoot. Don't over think it just shoot.
Frank
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11-16-2010, 10:33 AM
#332
Don,
Don't mess with Health and Safety and
don't take on the Bureaucrats cos you can't win
A pyhrric victory is no victory.
Good luck and keep it simple!
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11-16-2010, 04:19 PM
#333
Work over all ...
Hey, thanks guys.
My sense of decorum is a whole lot different than these "art" types. I knew it would be a struggle and practicality would suffer. Anyway ... the party continues. It's just MY party.
Last edited by DonSchap; 11-16-2010 at 04:21 PM.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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11-17-2010, 03:45 PM
#334
Awesome shoot!
Man, Frank ... it had its issues, but the results were ... well, they will be posted.
Despite "the school's" best effort to spoil the effort , it happened and I think a number of people are impressed as all hell. I know I am very amazed at what we created.
I, of course, need to process the images. The fun part, right? 
This is a lot more fun than I originally gave it credit for and as tired and beat as I feel, I am anxious to plow into the shots and turn out the goods.
Edit:
"Coming ...?"
EXIF: A850 w/ SIGMA AF 24-70 f/2.8 DG EX IF HSM
@ 45mm - f/7.1 - 1/200 sec. - ISO-200 - CWA - Manual - Single Studio Strobe w/ Beauty Dish
I think we all could use some ... shut-eye.
A question to ponder: What's reflecting your light?
Good night.
Last edited by DonSchap; 11-24-2010 at 08:50 PM.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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11-17-2010, 04:06 PM
#335
Well, get a move on then! I gotta get some shuteye.
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11-17-2010, 05:06 PM
#336
Well, that's one!
Okay ... simple, elegant, ONE LIGHT! Yeah! (Arm-pump)
Flash photography ... get one.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
-
11-17-2010, 05:53 PM
#337
I think you know where you need to be now!! Good shot.
Frank
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11-17-2010, 10:15 PM
#338
Martini - shakin' ... not stirred
I kind of switched gears, during the stages of the shoot, from elegant to just plain fun ... and introduced "Martini-Girl" to the bar scene.
a850 w/ SIGMA 24-70mm f/2.8 DG EX IF HSM
@ 70mm - f/6.3 - 1/80 sec - ISO-800 - CWA - Hot Lights - Manual - WB=Tungsten
Now, Martini-Girl has unique skills ... because she can deliver a seriously dry martini in less time than you can drink it. As the coquette of the bar walk ... you are really missing out if you do not try this lunchtime delight.
a850 w/ SIGMA 24-70mm f/2.8 DG EX IF HSM
@ 55mm - f/7.1 - 1/30 sec - ISO-800 - CWA - Hot Lights - Manual - WB=Tungsten
Last edited by DonSchap; 11-17-2010 at 10:28 PM.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
-
11-18-2010, 06:05 AM
#339
The first shot I likie!
Pretty girl mounting the stairs to a darkened first floor, looks back invitingly, atmospheric lighting ...
All the right ingredients.
Second, somewhat unflattering pose, dark and whats with the white arms?
Third, nice pose, quirky, sophisticated but sexy
lighting possibly a bit harsh (eye socket) and would benefit from a square crop (JMHO) and cloning top right ...
a Keeper

I could be hyperctitical and say that the image could do without the bottles and glass in the right hand corner and benefit from less light on the background to emphasize the model, but that would be churlish.
It's so easy to sit back and see stuff that's not obvious when you're in the hot seat (??) with all the pressures of directing and time constraints looming large.
Overall I'd say, damn good job.
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11-18-2010, 06:43 AM
#340
Peek and Don,
I also noticed the arms, but then looking closer at both shots of Martini model, I realized it's all body paint.
Don, on your first one with the stairs, about the only thing I would modify is a reduction in the brightness of the flash reflection in the dress around her rear end. It's a bit hot and draws my eye there rather than to her alluring look which is very well lit.
Darin Wessel
α 900
Zooms: Tamron SP AF70-200mm f2.8 Di LD Macro; Sigma 28-90mm D macro, Konica-Minolta 18-70 f3.5-5.6
Primes: Minolta 28mm f2.8; Sony 50mm f1.4
Minolta RC-1000 remote commander
Film:
Calumet Cambo CC400 4x5 View Camera
YashikaMat 6x6 TLR (other accessories)
Minolta Maxxum 7000 w/ Minolta 35-80mm f/4-5.6 & Minolta 2800 flash
Minolta Maxxum 5000i & Vivitar 728 AFM flash
What's next??? 
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