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If I use my 16-80 on my a700 at 16mm I get vignetting. So I would say they can't guarantee the use of DT lenses on the a700.
Sony α900
Zeiss 16-35mm f/2.8, Zeiss 24-70mm f/2.8, Sony 70-200 F/2.8 G, Sony 100mm F/2.8 Macro
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Why all the waiting???
Is that with a filter on it, Tom? If so, you might try the low-profile filter for the wide shots. I bought my 77mm Low-Profile CP for just that reason, on my 10-20mm f/4-5.6 SIGMA. It does not have any threads on the front of it for a lens cap to catch on to, so I bought a press-on type, which actually fits on the outside of the filter.
If no filter ... it's a post processing crop.
Back to the topic ... I been sitting here, wondering ... THIS "change" is what took six months to produce (since PMA 09 - March 2009 - they could have just silk-screened a "α850" label on a α900 body and put it in the glass box at the show - something - anything!)? A cut down α900? No new production line, just some guy with a soldering gun modifying a circuit board? Guys, guys ... c'mon ... there has to be something else missing.
It has me asking ... "Why the wait?" It's just an α900 Version ... ½ 

Or better yet ...
Last edited by DonSchap; 08-03-2009 at 05:29 PM.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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At 16mm I get it even without a filter.
Sony α900
Zeiss 16-35mm f/2.8, Zeiss 24-70mm f/2.8, Sony 70-200 F/2.8 G, Sony 100mm F/2.8 Macro
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I now know how to use the camera so where is it and how much is it????
Frank
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A900 redux
From what I can tell, the A850 is the same body as the A900, with slower burst rate 3 fps vs. 5.9 fps, and no wireless remote commander.
Makes me wonder if they are going to start offering a greater ISO range in the A900 or TBD A1000???
Darin Wessel
α 900
Zooms: Tamron SP AF70-200mm f2.8 Di LD Macro; Sigma 28-90mm D macro, Konica-Minolta 18-70 f3.5-5.6
Primes: Minolta 28mm f2.8; Sony 50mm f1.4
Minolta RC-1000 remote commander
Film:
Calumet Cambo CC400 4x5 View Camera
YashikaMat 6x6 TLR (other accessories)
Minolta Maxxum 7000 w/ Minolta 35-80mm f/4-5.6 & Minolta 2800 flash
Minolta Maxxum 5000i & Vivitar 728 AFM flash
What's next??? 
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The price is supposed to be "1/3 less than the current a900," so it's sub $2k
flickr
Canon 7D - 5D | 550EX - 430EX II - (2) PW FlexTT5 | 24-105 f4L | 70-200 f2.8L IS | 100 f2.8L IS | 50 f1.8 II
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Have you seen it posted, yet, Ryan? I cannot get anyone to commit, even with cash money! 
Last edited by DonSchap; 08-04-2009 at 09:19 AM.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
-
i dont see what the problem is. its a cheaper fx camera, mainly cos the a900 doesn't sell for shit. its a good move from sony, at least from a potential sales POV. you're just whinging don.
D800e l D60 IR l 16-35 f4 l 24-120 f4 l 24G l 50G l 60G l 85G l 105VR l 300VR l XE-1 l 18R l 35R
flickr
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Whining?
Bring it on ... I could use a good side-by-side ... see what the fuss is all about. I am honestly tired of all this sneakin' around nonsense.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
-
flickr
Canon 7D - 5D | 550EX - 430EX II - (2) PW FlexTT5 | 24-105 f4L | 70-200 f2.8L IS | 100 f2.8L IS | 50 f1.8 II
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