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  1. #1
    JohnKK Guest

    E520 User Question - WB Reliability

    Hi All:

    After using the E510 for a year on the dot and reading all the mixed "pro" reviews about the E520 (i.e. soft JPEG, DR) I came across a deal that I couldn't refuse at my favorite camera store.....I really needed to put this debate to bed in my own mind even if I simply end up ebaying it.

    I have only had it a few days and in this time I have found +2 in sharpness produces JPEG output very close to E510 & the DR is much better in JPEG and slightly better in RAW.

    The only "issue" I have found is with the Auto WB & Flash WB......I use an FL-36R(TTL mode) and have found that even properly exposed flash shots take on a noticable read hue.....it is most annoying in portrait shots.
    Fortunetly, this can be compensated for by adjustment in camera (I'm using -3 on the red channel).

    Custom WB was often needed on my E510 for non-flash shots....but Auto WB always worked fine provided I wasn't trying to light up an auditorium.

    Has anyone else encountered this ?

    Thanks John K

  2. #2
    JohnKK Guest

    "Read" hue should be "red" in 3rd para

    The only "issue" I have found is with the Auto WB & Flash WB......I use an FL-36R(TTL mode) and have found that even properly exposed flash shots take on a noticable (read ) RED hue.....it is most annoying in portrait shots.
    Fortunetly, this can be compensated for by adjustment in camera (I'm using -3 on the red channel).

    Thanks John K[/QUOTE]

  3. #3
    Join Date
    May 2007
    Posts
    670
    Really? I find the E-520 to be a wonderful improvement over the E-510 in all areas. I think the camera is doing the right thing, trying to compensate for the bluishness of the flash. What you could do is "gel" your flash with 1/2 CTO for rooms with incandescent lighting and set a custom WB or use AWB with -6 for Red and -2 for Green.

    Nikon: D300, D700, Nikkor: 24-70, 70-200, 70-300/VR, 24/2.8, 35/2, 50/1.4G, 60/2.8G, 180/2.8,
    Sigma: 10-20, 50-150/2.8, 50/2.8, Tamron: 17-50/2.8, 28-75/2.8, Tokina: 12-24, Zeiss: 25/2.8
    Olympus: E-520, E-3, 7-14, 9-18, 11-22, 12-60, 14-35/2, 14-54, 35-100/2, 50-200, 25/2.8, 35/3.5, 50/2
    Panasonic: G1, Leica: 14-50, 14-150, 25/1.4
    Sony: A700, A900, 24-85, 35-70, 70-210/4, 20/2.8, 24/2.8, 50/2.8, T 90 macro, Zeiss: 24-70/2.8, 135/1.8
    P&S: Canon S90, Panasonic: LX3


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