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  1. #3161
    Join Date
    Nov 2008
    Location
    Monmouthshire, UK
    Posts
    2,152
    I think you ****ed him off.

  2. #3162
    Join Date
    Nov 2008
    Location
    Monmouthshire, UK
    Posts
    2,152
    SUNDOWN

    Name:  213 Malaga Coast 106_crop_DxO.jpg
Views: 134
Size:  746.5 KB
    Camera: Sony A900
    Lens: Minolta 28-135mm f4/4.5
    Focal Length: 28mm
    Exposure: 1/1000th at f8
    ISO 320
    14th April 2011

  3. #3163
    Join Date
    Jun 2009
    Location
    Mount Pleasant, SC
    Posts
    145
    Hopefully if someone has been insulted it wasn't me I Never, ever, mean to **** off anyone on here. Not on purpose anyway.
    Joe Holmes
    Sony α550
    Sony HVL-F42AM Flash
    Sony DT18-55 F3.5-5.6 (Kit Lens)
    Minolta Maxxum 50 1:1.7(22) Prime
    Minolta 35-70 F4 (Mini Beercan)
    Minolta 70-210 F4 (Beercan)
    Minolta 28-135 F4-4.5 (This beast is pretty heavy)
    Minolta Maxxum 100-200 F4.5
    Quantaray D28-90 1:3.5-5.6 Ver 5
    Tamron DiII 55-200 1:4.5-6

  4. #3164
    Join Date
    Dec 2006
    Location
    God's Country - Australia
    Posts
    10,406
    Quote Originally Posted by Erad View Post
    Just an old camera!


    Minolta XG-A by arociojr, on Flickr
    thats a freakin awesome shot, although i think you cropped it too close to the camera at the base.
    how did you do the lighting at the back ?
    D800e l V1 l AW1 l 16-35 l 35 l 50 l 85 l 105 l EM1 l EP5 l 7.5 l 12-40 l 14 l 17 l 25 l 45 l 60 l 75
    flickr

  5. #3165
    Join Date
    Dec 2007
    Posts
    1,756
    so you like LDR

    Quote Originally Posted by Anthony View Post
    I like HDR but not extreme HDR; I prefer it to look at least a little bit realistic.

    An HDR section would be interesting as I would like to discuss methods etc.

    A realistic HDR of mine:


    A not so realistic but not extreme:

  6. #3166
    Join Date
    Jan 2011
    Location
    Australia
    Posts
    34
    One of the first panorama shots I did on the A55, seems to only like doing one or two shots before the stitching plays up!



    A55
    f/5
    1/125 sec
    ISO100
    12mm (Sigma 10-20mm)

  7. #3167
    Join Date
    Nov 2008
    Location
    Monmouthshire, UK
    Posts
    2,152
    END OF THE LINE!

    Name:  214 End of the Line! Malaga Coast 111_DxO.jpg
Views: 132
Size:  1.02 MB
    Camera: Sony A900
    Lens: Minolta 28-135mm f4/4.5
    Focal Length: 135mm
    Exposure: 1/1600th at f5.6
    ISO 320
    14th April 2011

    Men are from Bars and women claim they're genius

  8. #3168
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,545

    Cool Just ridin' in the rain...

    The S.O. braved the wild thunderstorms, in her truck, and you can see the yards were rapidly filling with the rain water. A regular Land O' Lakes, we were. I snapped a 1/13th sec pan to get this.

    Name:  Chris-in-Ridgeline-rain.jpg
Views: 99
Size:  804.1 KB
    EXIF: a850 w 70-400 G SSM
    @ 70mm - f/4 - 1/13th sec - ISO-400 - CWA - APS-C Capture mode (eff. 105)


    Slight "graphic pen" filter enhancement for effect
    Last edited by DonSchap; 05-30-2011 at 08:59 AM.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  9. #3169
    Join Date
    Mar 2005
    Location
    Cambridge, UK
    Posts
    679
    so you like LDR
    I use hdr software to get the dynamic range and bring out details in the shadows and blown out areas not to mess with the colours. I would say altering the colours would be more tone mapping and what I want is enfusing?

  10. #3170
    Join Date
    Sep 2005
    Posts
    310
    Anyone want to color?


    Colored Pencils by arociojr, on Flickr

    Sony a560
    Sigma 50mm f/1.4
    1/100 @ f/2.5
    ISO 400
    Flickr

    Sony a560 w/ B50AM Vertical Grip
    Sigma 300mm f/2.8 EX DG APO

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