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  1. #1001
    Join Date
    Mar 2009
    Location
    Netherlands
    Posts
    76

    Thumbs up

    Quote Originally Posted by Elisha82 View Post
    are you referring to the bird or the portrait?
    both were shot with the 28-135mm.
    surprisingly the bird was calm enough although i could not maneuver my position to get a clear shot without that little branch getting in the way!
    I was referring to the bird. Super shot. The branch is not a problem. It`s nearly the same colour than the bird. You can hardly see it if you take a quick look.
    Well done

  2. #1002
    Join Date
    Dec 2006
    Location
    Guelph, Ontario
    Posts
    1,903
    Quote Originally Posted by BobJohnson View Post
    Was the bird altered too? It just doesn't look 'real' in my opinion.
    i enhanced the contrast and the greens in the bird shot!
    Canon EOS 7D

    flickr
    FLUIDR

  3. #1003
    Join Date
    Dec 2007
    Posts
    2,562
    Red winged blackbird.

    Frank


    Sony A77
    Sony A580
    Sony A 100
    Maxxum 400si.
    Sony 18-70 Kit Lens
    Minolta AF 35-70
    Minolta AF 50 f/1.7
    Tamron 70-300 f/4-5.6 Di LD
    Tamron 60mm Macro
    Tamron 17-50 f/2.8
    Tamron 2x Converter
    Sony HVL-F42AM
    Quantaray 70-300 4.5-5.6 Macro
    Slingshot 200 Bag



    http://www.flickr.com/photos/22083244@N06/

    http://s305.photobucket.com/albums/nn219/sparkie1263/

  4. #1004
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560

    Question Can you see the light?


    TO HECK WITH WHITE LIGHT, HE LIKES BEING IN COLOR

    Name:  Light-in-my-room-too.jpg
Views: 529
Size:  181.5 KB

    α700 w/ TAMRON SP AF 28-75mm f/2.8 XR Di LD Aspherical (IF)
    @ 75mm - f/2.8 - 1/8 sec - ISO-400 - Spot Metering - Spot Focus - Natural Light - Handheld - Crop
    Last edited by DonSchap; 04-22-2009 at 06:37 PM.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  5. #1005
    Join Date
    Jan 2008
    Location
    Ohio, USA.
    Posts
    1,161
    Don nice shot, a sight most big lazy dog owners will recognise LOL
    Sony A700_____________Minolta AF 50mm. F/1.7
    Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
    Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
    Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
    Tokina AF 28-70mm F/3.5-4.5
    Tokina AF AT-X 80-400mm F/4.5-5.6
    http://flickr.com/

  6. #1006
    Join Date
    Jan 2009
    Location
    08087
    Posts
    50


    Exposure: 0.004 sec (1/250)
    Aperture: f/3.2
    Focal Length: 50 mm
    ISO Speed: 100
    Exposure Bias: 0 EV
    Flash: Auto, Did not fire
    My Flickr

    Sony Alpha a100
    Sony 18-200mm f/3.5-6.3
    Minolta 50mm f/1.7
    Sigma 28-90mm Macro
    Lowepro Fastpack 250
    Sigma EF-530 DG ST Flash

  7. #1007
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560

    Wink Yellow is the color

    You don't even want to know how close I was for this ...

    Name:  yellow-finch.jpg
Views: 626
Size:  477.5 KB

    A700 w/ TAMRON SP AF 180mm f/3.5
    @ f/5.6 - 1/400 sec. - ISO-1250 - Spot Focus - Spot Metering - Manual - Dist: 5-feet!


    Wish i had taken this a week ago ... it'd have been an excellent entry.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  8. #1008
    Join Date
    Dec 2007
    Posts
    2,562
    Great image Don.
    Frank
    Sony A77
    Sony A580
    Sony A 100
    Maxxum 400si.
    Sony 18-70 Kit Lens
    Minolta AF 35-70
    Minolta AF 50 f/1.7
    Tamron 70-300 f/4-5.6 Di LD
    Tamron 60mm Macro
    Tamron 17-50 f/2.8
    Tamron 2x Converter
    Sony HVL-F42AM
    Quantaray 70-300 4.5-5.6 Macro
    Slingshot 200 Bag



    http://www.flickr.com/photos/22083244@N06/

    http://s305.photobucket.com/albums/nn219/sparkie1263/

  9. #1009
    Join Date
    Dec 2007
    Posts
    2,562
    These are fast little birds.

    Frank



    Camera Make: SONY
    Camera Model: DSLR-A100
    Image Date: 2009:04:21 10:27:49
    Flash Used: No
    Focal Length: 300.0mm (35mm equivalent: 450mm)
    Exposure Time: 0.0020 s (1/500)
    Aperture: f/8.0
    ISO equiv: 200
    Exposure Bias: 1.70
    White Balance: Auto
    Metering Mode: Spot
    Exposure: aperture priority (semi-auto)
    Sony A77
    Sony A580
    Sony A 100
    Maxxum 400si.
    Sony 18-70 Kit Lens
    Minolta AF 35-70
    Minolta AF 50 f/1.7
    Tamron 70-300 f/4-5.6 Di LD
    Tamron 60mm Macro
    Tamron 17-50 f/2.8
    Tamron 2x Converter
    Sony HVL-F42AM
    Quantaray 70-300 4.5-5.6 Macro
    Slingshot 200 Bag



    http://www.flickr.com/photos/22083244@N06/

    http://s305.photobucket.com/albums/nn219/sparkie1263/

  10. #1010
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560
    Almost like he is wearing a mask! Good trigger finger, Frank.
    Last edited by DonSchap; 04-23-2009 at 05:41 PM.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

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