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Minolta 35-70 F4
ok here goes, same subject as before. slight crop to fill the frame a little. no PP, SSS off, flash off and on tripod and ISO 100 for all shots.
Focused on the Kahlua label.
70mm @ F/4
70mm @ F/4.5
70mm @ F/5
70mm @ F/5.6
70mm @ F/6.3
70mm @ F/7.1
70mm @ F/8
what do you guys think?
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Getting some dark shadows in the upper parts of the image on the wall, need some indirect lighting, or up lighting maybe? maybe move the beercan a bit to the left and back getting a fair amount of reflection off it. Again to my eyes it seems like a pretty sweet lens. Hmmnn not sure maybe the 4.5 image looks 'best' ? a lot tougher for me anyhow to tell.
Sony A700_____________Minolta AF 50mm. F/1.7
Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Tokina AF 28-70mm F/3.5-4.5
Tokina AF AT-X 80-400mm F/4.5-5.6
http://flickr.com/
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How about a little mood lighting, the reflection of a gorgeous babe in a mirror and a pair of lacy underalls, draped over the neck of Capt. Morgan ... that'll be an attention getter for your bottle collection. No one will give two hoots what lens you are using! 
Viva, creative lighting!
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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Hmmmn mood lighting or mood setting?
Sony A700_____________Minolta AF 50mm. F/1.7
Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Tokina AF 28-70mm F/3.5-4.5
Tokina AF AT-X 80-400mm F/4.5-5.6
http://flickr.com/
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i got the lace undies but no mood setting lighting or reflection of a babe.
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'Nuff said! Arrg! Well done, Matey!
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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ARRRRR Don has a bit of the captain in him tonight! I think a bit of the wild turkey and then to bed for me! Now not considering the undies, I think the shot works better with out the gold beercan, just to reflective maybe?
and lets not start on the pirate jokes again, I don't have any new ones!
Sony A700_____________Minolta AF 50mm. F/1.7
Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Tokina AF 28-70mm F/3.5-4.5
Tokina AF AT-X 80-400mm F/4.5-5.6
http://flickr.com/
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A foine, foine, talented crew we have here, tonight. LOL
Yes, the beer can was a bit too out of place. It looks much more ... balanced, now. "Sub-subjects." Two in one night! Curses!
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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lol nothing on that shelve was intentional. in fact it is also coated with dust.
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Ahhh the old photographers trick of using dust as a anti reflective agent, or light diffuser, well done!! Thats my story anyway and I'm sticking to it
Sony A700_____________Minolta AF 50mm. F/1.7
Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Tokina AF 28-70mm F/3.5-4.5
Tokina AF AT-X 80-400mm F/4.5-5.6
http://flickr.com/
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