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Sean,
Remeber that the '56 marries up nicely with the '36 ... but, if you buy the '42, you will need the '58 to make full use of it as a slave. There are these new things called "flash groups" ... which should be investigated, should you decide to go that route. Of course, the SONY Style store clerk will have absolutely no clue as to what you are talking about.
Kind of sounds like:
"Your mission, should you decide to accept it... and that should any team member be caught or killed, the Secretary will disavow any knowledge of your actions."
Last edited by DonSchap; 08-22-2008 at 10:07 PM.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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Arghhhhhhhhhh!!
more stuff to learn  damn o.k. Don I have so much to learn and work on improving already, still having a hell of a time with a level horizon, can only claim it's "artsy" and you wouldnt understand the concept so many times
I think unless I tie up all my money in glass I will likely go with one of the Sony's and not be looking for a slave unit for some time as in a couple of years. I just don't think I will use it enough to justify the soon to be out one to spend that kind of money on it.
Sony A700_____________Minolta AF 50mm. F/1.7
Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Tokina AF 28-70mm F/3.5-4.5
Tokina AF AT-X 80-400mm F/4.5-5.6
http://flickr.com/
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 Informational ...
 Originally Posted by seanhoxx
more stuff to learn
SONY HVL-F56AM Flash
Just some light reading ...
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
-
WOW! that appears to be the one flash to do everything, and more eh. Starting to see the light .
Sony A700_____________Minolta AF 50mm. F/1.7
Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
Tokina AF 28-70mm F/3.5-4.5
Tokina AF AT-X 80-400mm F/4.5-5.6
http://flickr.com/
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Just another flash-in-the-pan, I suspect.
Don Schap - BFA, Digital Photography
A Photographer Is Forever
Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.
flickr® & Sdi
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