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View Poll Results: Which SONY DT lenses do you own?

Voters
7. You may not vote on this poll
  • SAL-1680Z 16-80mm f/3.5-4.5 $699.99

    0 0%
  • SAL-18250 DT 18-250mm f/3.5-6.3 $549.99

    1 14.29%
  • SAL-18200 DT 18-200mm f/3.5-6.3 $499.99

    0 0%
  • SAL-1870 DT 18-70mm f/3.5-5.6 $199.99

    7 100.00%
  • SAL-55200 DT 55-200mm f/4-5.6 $229.99

    1 14.29%
  • SAL-16105 DT 16-105mm f/3.5-5.6 $579.99

    0 0%
  • SAL-1118 DT 11-18nn f/4.5-5.6 $649.99

    1 14.29%
Multiple Choice Poll.
Results 1 to 9 of 9
  1. #1
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560

    SONY lens survey

    This survey considers APS-C sensor-only lenses. The second survey considers the Full Frame sensor compatible lenses.

    If you have purchased a SONY α200, α300, α350 or α700, then you may be wondering what SONY zoom lenses are out there for your camera.

    With your help, this survey will help gage how the trend is going among the current forum members.

    Please check off the lenses you currently have with your camera system, if they are listed.

    See the other survey, also for the remaining zoom lens listing.
    Last edited by DonSchap; 07-27-2008 at 06:09 PM.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  2. #2
    Join Date
    Jun 2008
    Posts
    2,204
    kit lens (on the shelf indefinitely) for the win!
    flickr

    Canon 7D - 5D | 550EX - 430EX II - (2) PW FlexTT5 | 24-105 f4L | 70-200 f2.8L IS | 100 f2.8L IS | 50 f1.8 II

  3. #3
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560
    Yeah, no kiddin', eh? LOL
    Last edited by DonSchap; 07-27-2008 at 06:04 PM.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  4. #4
    Join Date
    Jun 2008
    Posts
    28
    Kit lens + DT 18-250 here - plus, I've also added a Minolta 70-210 F4 "Beercan" and a prime Minolta 50mm F1.7 to my kit - so the Sony lenses are far from the only game in town for us Alpha users! :-)

    I'm thinking now that the Beercan may be redundant to my 18-250, but the 50mm is great indoors without needing flash.

  5. #5
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560
    Well, I know for a fact there are more than four (4) people STUCK with the "kit" lens. There's no shame in it ... I got stuck with mine because I could not go "BODY-only" back in July 2006.

    Believe me ... it's on the shelf. Probably a "dust-collector" for sure.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  6. #6
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560
    Still looking for a little more participation ... check out the TAMRON survey, too. SIGMA survey to be along ... shortly.
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  7. #7
    Join Date
    Jan 2008
    Location
    Ohio, USA.
    Posts
    1,161
    As for me it's like what I wish I could do in the upcoming election - NONE OF THE ABOVE
    with the Sony prices the only one I have even thought about is the 16-105mm The 55-200 is not a bad price but already having the Tamron 70-300 and planning on buying the 70-200 2.8 I don't really have a need for the Sony 55-200
    Sony A700_____________Minolta AF 50mm. F/1.7
    Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
    Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
    Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
    Tokina AF 28-70mm F/3.5-4.5
    Tokina AF AT-X 80-400mm F/4.5-5.6
    http://flickr.com/

  8. #8
    Join Date
    Feb 2006
    Location
    Des Plaines, IL
    Posts
    9,560
    Only eight people? This is funny, I see more than 308 views ... where's the participation? Where's the love? Heck with that, where's the money?
    Don Schap - BFA, Digital Photography
    A Photographer Is Forever
    Look, I did not create the optical laws of the Universe ... I simply learned to deal with them.
    Remember: It is usually the GLASS, not the camera (except for moving to Full Frame), that gives you the most improvement in your photography.

    flickr & Sdi

  9. #9
    Join Date
    Jan 2008
    Location
    Ohio, USA.
    Posts
    1,161
    Maybe it's Sony marketing checking us out to get a feel for the customers eh, hmnnn I bet NOT LOL
    Sony A700_____________Minolta AF 50mm. F/1.7
    Minolta AF 70-210mm F/3.5-4.5 Tamron AF 17-50mm F/2.8 XR DiII LD Asp. [IF]
    Tamron SP AF 70-200mm. F/2.8 DI LD [IF] Macro
    Tamron AF 70-300mm F/4-5.6 Di LD Macro 1:2
    Tokina AF 28-70mm F/3.5-4.5
    Tokina AF AT-X 80-400mm F/4.5-5.6
    http://flickr.com/

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