Thanks guys. The lens used was the trusty old 18-200 VR, handheld. From memory the details were 1/200s, f/4 approx, ISO 100, focal length ~ 135mm.
And now for something completely different. Here's a couple of shots of the Athabasca Falls near Jasper, Alberta, Canada. They're not very high but the power of the water was astonishing, the roar deafening and the spray impressive. I wouldn't give much for your chances if you fell in.
Nikon D7000 and a bunch of Nikon stuff — oh, and some Canon p&s's too
Thanks DPR. I tend to gravitate toward isolated subjects. Unfortunately did not have the 24-70 f/2.8 with me that day, so the background is a little weird, but the 18-105 seems to be a decent everyday lens. I'll be goofing around with an old 43-86 f/3.5 Ai-S (off the FE) down the road as well. Seems to work fine on the 7000.
D7000, D70, CP990, CP900, FE + a lens or 6.
Ha! See, I can change...
D800, D300, D90, 24-70 f2.8, 70-200VR f2.8, 300 F4, 105 micro, 16-85VR, 50mm 1.8, Tammy 90 macro, 70-300VR, SB900, 2xSB600, MB-D10, 055XPROB 322RC2. New computers to run photoshop faster. C&C always appreciated. PhotoGallery
Pressing the shutter is the start of the process - Joe McNally ... Buying the body is the start of the process - Dread Pirate
The Ferry between the North and South Islands of New Zealand
D800, D300, D90, 24-70 f2.8, 70-200VR f2.8, 300 F4, 105 micro, 16-85VR, 50mm 1.8, Tammy 90 macro, 70-300VR, SB900, 2xSB600, MB-D10, 055XPROB 322RC2. New computers to run photoshop faster. C&C always appreciated. PhotoGallery
Pressing the shutter is the start of the process - Joe McNally ... Buying the body is the start of the process - Dread Pirate
@ Tomcat: very serene sunset shot. Although the D80 does have its limitations by today's high standards, it still handles very well and can take great pictures. I decided to keep mine as a backup body when I bought my D7000. Below is an early morning shot of Queenstown harbour in Tasmania taken with the D80 and 18-200VR in 2009 (1/200s, f/7.1, ISO 200, f.l.=18mm).
@DPR: I like the vertical nature of the composition of the shot, heading into threatening skies. It was taking a shot similar to this that I lost my brand new circular polariser overboard whilst leaning far over the rail on the ferry from Melbourne to Davenport, Tasmania. Lesson learned -- always turn the polariser ring anticlockwise (looking from behind the camera). That way you're not tending to unscrew the filter body!
Nikon D7000 and a bunch of Nikon stuff — oh, and some Canon p&s's too