New poster here, guys. Poked my head out the door here in Adelaide, South Australia about 7.15am the other day to find everything eerily still, warm, foggy and wet. Converted the original colour jpeg to grayscale to invoke the spooky 'film noire' look. Just over the hill is the Bates Motel............
Taken with Nikon D80 on tripod, Nikon 18-200 VR @ 18mm, ISO320, 1/30 @ f/3.5, Program mode.
How do they stay there while you take the pic. The few times I have seen a bug worth shooting its flown off...
Those dragonflies are hard to sneak up on, when I shoot them I just find a spot to sit where they are flying
around and wait for them to land nearby. It is a challenge for me because I have to be about 18" away for my set up to work.
Tomcat, I see your plaster Gargoyle and raise you a bugbear figurine.
Yes I know this isn't the chainmail thread
D800, D300, D90, 24-70 f2.8, 70-200VR f2.8, 300 F4, 105 micro, 16-85VR, 50mm 1.8, Tammy 90 macro, 70-300VR, SB900, 2xSB600, MB-D10, 055XPROB 322RC2. New computers to run photoshop faster. C&C always appreciated. PhotoGallery
Pressing the shutter is the start of the process - Joe McNally ... Buying the body is the start of the process - Dread Pirate
D800, D300, D90, 24-70 f2.8, 70-200VR f2.8, 300 F4, 105 micro, 16-85VR, 50mm 1.8, Tammy 90 macro, 70-300VR, SB900, 2xSB600, MB-D10, 055XPROB 322RC2. New computers to run photoshop faster. C&C always appreciated. PhotoGallery
Pressing the shutter is the start of the process - Joe McNally ... Buying the body is the start of the process - Dread Pirate